Composer | Fernando Sor |
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Artist | Eros Roselli |
Instruments | guitar |
Label | SOMM (SOMM CD021) |
Segovia's editing highlights the effectiveness of the music and brings to the fore the abilities of the modern concert guitar. The collection of studies was Segovia's personal choice and represent those which he felt would make the greatest impact on a recital audience.
Eros Roselli has made a name for himself across Europe through both his many solo recitals and also his work with chamber ensembles. His recital engagements in 2002 include a tour of the British Isles.
Fernando Sor Study op.6 no.8 | |
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1. | Study op.6 no.8 |
Fernando Sor Study op.35 no.13 | |
2. | Study op.35 no.13 |
Fernando Sor Study op.6 no.2 | |
3. | Study op.6 no.2 |
Fernando Sor Study op.6 no.1 | |
4. | Study op.6 no.1 |
Fernando Sor Study op.35 no.22 | |
5. | Study op.35 no.22 |
Fernando Sor Study op.35 no.17 | |
6. | Study op.35 no.17 |
Fernando Sor Study op.31 no.21 | |
7. | Study op.31 no.21 |
Fernando Sor Study op.31 no.16 | |
8. | Study op.31 no.16 |
Fernando Sor Study op.31 no.20 | |
9. | Study op.31 no.20 |
Fernando Sor Study op.31 no.19 | |
10. | Study op.31 no.19 |
Fernando Sor Study op.6 no.3 | |
11. | Study op.6 no.3 |
Fernando Sor Study op.6 no.6 | |
12. | Study op.6 no.6 |
Fernando Sor Study op.6 no.9 | |
13. | Study op.6 no.9 |
Fernando Sor Study op.6 no.12 | |
14. | Study op.6 no.12 |
Fernando Sor Study op.35 no.16 | |
15. | Study op.35 no.16 |
Fernando Sor Study op.29 no.23 | |
16. | Study op.29 no.23 |
Fernando Sor Study op.6 no.11 | |
17. | Study op.6 no.11 |
Fernando Sor Study op.29 no.22 | |
18. | Study op.29 no.22 |
Fernando Sor Study op.29 no.13 | |
19. | Study op.29 no.13 |
Fernando Sor Study op.29 no.17 | |
20. | Study op.29 no.17 |
Fernando Sor Study op.29 no.14 | |
21. | Study op.29 no.14 |
Fernando Sor Study op.35 no.9 | |
22. | Study op.35 no.9 |
Fernando Sor Study op.31 no.4 | |
23. | Study op.31 no.4 |
Fernando Sor Study op.35 no.24 | |
24. | Study op.35 no.24 |
Fernando Sor Study op.35 no.5 | |
25. | Study op.35 no.5 |
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